The History of Coventry Folk Clubs Part 1 - Pete Willow

The following excellent article was researched and written by Pete Willow in 1978 for his Coventry Folk Magazine - "Folks" and covers the history of the Coventry folk Scene from 1963 to 1978 - 15 years of which this is Part 1.

Coventry's first Folk Club - The Binley Oak

15 Folkin' Years

Late one evening, whilst loitering within tent, pitched in the middle of a folk festival campsite, i was listening to a cassette of an early Dando Shaft album, when i heard a knock on the canvas. "Excuse me" said the caller "but I couldn't help hearing the music. That's Dando Shaft isn't it?" "Yes" I replied "I haven't heard their stuff for ages, I wonder what they are up to now?" I asked him where he came from and he told me London. I told him I lived in Coventry and that several of the band were still living in the area, playing gigs as soloists, duos, trios or any other combination that seemed appropriate. We chatted about the band and their music and generally about the 'good old days' where many of today's big contemporary folk acts were still up and coming. That encounter got me thinking about the earlier days of the Coventry folk music scene. I don't mean the camp fire sing songs that undoubtedly took place when the city walls were being built and Royalists and Parliamentarians were knocking each other about; i mean the days within living memory of many of today's established folk musicians - 

....Barry Skinner, Sean Cannon, John and Beverley Martin, Hedgehog Pie are among many of the names connected with the Coventry club circuit and promising new acts are still evolving. Waterfall, who are becoming another well respected act throughout the country, and were even featured recently on Radio One's Kid Jensen programme (a supreme accolade), owe much of their stage experience to the relatively recent floor spot appearances at the Firkin, Magic Lamp and Lanchester Polytechnic Folk Clubs. The New Modern Idiot Grunt band is still going as strong as ever, much to the delight of club organisers throughout the country who had previously heard of them disbanding a few years back.

"Folk Crying Out Loud" - First Coventry Folk Magazine Published 1967

Ben Arnold

This is the first of a series of articles that will look back in detail over the past fifteen years (from 1978) of Coventry Folk Music (the only one of the articles that Hobo has incidentally!). Hopefully it will bring back a few memories for those dedicated local folkies who have attended every Coventry club's rise and demise, and provide some interesting facts for those more recently involved in local music. To glean as much information as possible I would obviously like to hear from anyone who was involved with any of the clubs that appeared in Coventry over the years and I would like to thank Dave Coburn for helping to set wheels in motion by providing many facts of interest and lending me copies of the first two issues of a short lived but excellent local folk music magazine Folk Crying Out Loud which was published in 1967.


An article by Ben Arnold in that publication pinpoints the exact beginnings of the present day format of folk clubs in the city. Of course, singing in pubs is a tradition that dates back tot he opening of the very first pub, although not everybody appreciated the vocal talents of these songwriters. It wasn't until 1962 that moves were made to organise a folk music venue where people who did want to hear folk singing could go in peace.

This was the Coventry Arts Umbrella Club, which existed for the benefit of those who enjoyed art and music in general. It provided an opportunity for the pioneers of Coventry Folk including Ron Shutttleworth (more recently a regular at the Colin Campbell's Monday night sessions) and Barry Skinner to generate an interest in folk music.

The regular get together's at the Umbrella Club only catered for a minority interest but it did serve as a starting point for dedicated individuals to plan Coventry's very first folk club. This was opened one Thursday in May 1963 at the Binley Oak, Paynes Lane and was called, suitably enough, the Coventry Folk Club. To quote Ben Arnold, "Coventry's first folk club was formed out of a common love of what at that time was an esoteric form of expression and desire to bring to the public at large something which had been theirs for hundreds of years.

The hosts were the Troubadours, a group formed by Barry Skinner and consisting of John Allen, Lee Soloman, Pete and Marlene Roberts, Terry Illingworth, Brian Sutton and Bob Bruce, although not all at the same time. Also involved with the band were Brian Curtiss and Dick Newton who later joined the Down Country Boys.

Barry Skinner however was the main driving force behind the formation of the Coventry Folk Club. Floor singers became a regular feature of the club, partly because the residents didn't have enough material to cover the whole evening every week without repeating themselves too often. Most of the music played was either traditional folk or skiffle. At the time there was a limited choice of traditional songs easily obtainable as few had been 'collected' and published in books or anthologies.


For well over a year, the Binley Oak was the only place in the city where one could go and listen to live folk music on a regular basis, although interest in folk music gradually spread as more and more enthusiasts and musicians visited the club. An attempt was made in August 1963 to start another club at the Cheylesmore Community Centre but this proved to be nowhere near as successful as the Coventry Folk Club. It met for a short while on Friday nights but lacked support due to its out of the way location, lck of beer and the fact visitors to the club had to become Community Centre Members. Nevertheless it helped to spread the word of folk in Coventry. (I was involved with a one-off concert at the centre in 1975 and we managed to sneak some beer in. The highspot of that evening was when the centre's drama club pulled off a "This is your life" stunt on the guest, Dave Bennett, whilst he was on stge. But that's another story!

In June 1964, the Tavern Folk Club opened and met every Sunday at the Swanswell Tavern. Ben Arnold was the compere and among the many acts establishing themselves were the Kerry Singers. The venue was short lived, although the club was successful; they moved to the Wine Lodge in the Burges and the club became known as Cofa's Tree, deriving its name from the Anglo-Saxon name for the Coventry. (How ethnic can you get?). This became a very important club in the development of folk music in the city and was very well attended. The change of venue had been made to accommodate the growing numbers of audience which regularly topped 200. The Kerries, which included Gibb Todd and also Gill Thurlow, who later married David MacWilliam, were the resident band and top guest artists were booked. One young lady  who made regular appearances as a  singer / guitarist was a Beverley Kutner (later Beverley Martyn - John Martyn's wife). Also seen performing there on occasions were the Furies. The Kutners were the family that ran the Jewelers shop with the big clock , on the corner opposite the old school.

In 1965 the Coventry Folk Club also moved, forsaking the Binley Oak for the larger and more centrally located Craven Arms in the High Street - know known as the Bear. However it only lasted at this venue for about a year, to be re-opened at the Queen's Inn, Primrose Hill St in September 1967. This didn't last long either. As the folk scene developed and became more complex with a bigger choice of clubs facing the audience and more and more musicians getting involved with them, it was probably inevitable that some of the venues would change more rapidly. Perhaps the longest running meeting place for folkies first opened in 1966, this being the Old Dyers Arms, where the Coventry Folk  Workshop and Singers' club was formed as a place where local enthusiasts could get together, play and sing, discuss and give each other positive criticism and to plan new projects ranging from Morris Dancing to musical instrument classes.

In the same year, another much remembered club saw the light of day, namely the City Arms in Earlsdon, hosted (at first) by Paddy Roberts. Many more singers were becoming known and liked by Coventry audiences at this time. Dave Coburn, who had assisted Barry Skinner in the general running of the Coventry Folk Club, had become an established local singer as had two other relatively new faces appearing regularly at the City Arms, Rod Felton and Rob Armstrong. In 1967 Rod took over the running of the club, with the help of his mother who sat on the door.

An interesting article in Issue One of Folk Crying Out Loud reads as follows;

THE CITY ARMS FOLK CLUB

"Revived some months ago....the club started anew with a policy of pleasing everyone's taste in folk music. By introducing new faces tot he scene, we have built up a formidable body of singers ranging from unaccompanied traditional songs to the comedy of the New Modern Idiot Grunt Band.

To date we have had now nationally known folk artists except for my good friends The Young Tradition.. who insisted in doing a free gig for us; they of course went down splendidly. Among other artists who have appeared are...The Down Country Boys, Andy and Jan...and a few weeks ago a fine blues artist by the name of Dave Kelly. This club has given Bob and I (and many others) a chance to experiment with new material and new approaches, which has proved very successful to the point that I very rarely sing the blues unless requested.

Given this chance, I would like to thank Rob Armstrong, a good buddy and a fine musician, for his running about and organising without which I am sure the club would have never survived. Also I would like to thank those artists who have stuck with us through thick and thin and helped to make the City Arms Folk Club a good Sunday Night's folk entertainment."

Rod Felton

Rod had started out in fact as a blues musician at a time when he and Dave Coburn, who used to do a lot of music hall material, were two of the very few "Contemporary" folk artists in the city.

Another regular at the club was a student, now a nationally known singer, June Tabor. Towards the end of 1967, she joined with a group called Cockade, which also consisted of Ken Woolfendon, Roger Bullen, Martin Jenkins and later Rob Armstrong. More of them later in the series.

1967 saw the birth of two more local clubs; - Oul Triangle, which met at the Admiral Codrington, and the Bandiere Rousseau at the Hen and Chickens. Oul Triangle gathered a large following  and by the end of 1967 had a membership  of  some 600 people. Its hosts were Liffeyside, consisting of Steve Nagle (more recently with Mulliners Rough), Mick Gallagher, Martin Griffin, who left later and was relaced with another new face, George Van Ristell. The Hen and Chickens was probably the first Coventry Club with a strong leaning towards contemporary folk, hosted by John Lake, monologue specialist and driving force behind the Coventry Folk Workshop, and Ron Shuttleworth. It was popular with those who equated folk with politics, conveniently located across the road from the local Communist Party Headquarters and it's name meaning the Red Flag.

Another long running club first opened in January 1968, this being the Village Pump at the Bulls Head, Binley Rd. Many fine guest artists appeared here right up to its closure in 1976 but it was best known as a good place for folk dancing. It was also in 1968 that live folk music was first played at the Mercers Arms, where the club was hosted by Two's Company, who later went on to open the Bedworth Folk Club at Bulkington.

I've probably started missing out clubs already, but its clear that in a period of about five years the Coventry folk scene evolved very quickly and a great new source of musical talent ws making itself known. There is little doubt that the general standard of folk music in the city was, and still is high. Along with Bristol and reading, Coventry was reputed as being one of the greatest centres of good folk music in the country and some people now look back at the late 60's with nostalgia, feeling that perhaps some of the magic has been lost in the local folk scene. In those days there seemed to be more enthusiasm with many well organised clubs regualry attended by many people, most of whom didn't play an instrument but jsut enjoyed listening. it's interesting to note that today the only city centre club is the Lanchester Polytechnic and the clubs that book nationally known artists tend to be located in the outskirts, making it more difficult for many enthusiasts to attend them regularly.

Next issue, I'll be dealing with clubs that started in the early 70's. Any useful information is welcome....

Pete Willow 1978

.......................................................................................

This article frist appeared on the Hobo Coventry Music Site on Vox blogs in 2007 - now closed down and so these comment are from that blog.

UPDATE - the mystery of who created the graphic above has been solved (see Pete Willow's comments below) - I discovered The Coventry Terrygraph blog via serendipity (while searching for something else!) although Terry says he tried to contact me - unfortunately I didn't get his message - not to worry - I found him anyway!! Maybe Terry might tell us a bit more about himself - his artwork and music involvements in Cov!!

Here's a link to Terry Sycamore's blog The Coventry Terrygraph and blow a screen shot of the message I found there!!

The wonders of the net!

[this is good] I remember researching this - and Dennis Clarke putting together the superb cartoon of the Binley Oak! The correction re: Beverley Jones was published in the subsequent edition of Folks which, if memory recalls, included a detailed delve into the archives and scrapbooks of Rod Felton. I should have a full set of Folks somewhere. I will have a look for them over Easter and send copies to Trev.

Posted by: Pete Willow | 04/01/2007 at 09:43 PM

Yes have a vague memory of a schoolmate organising a first visit to the folk at the Umbrella,(he was enticed into Mummers I think).as an alternative to going to a Young Socialist coffee and record evening (then Coundon road )

Nice to see a mention of Ron, who is very important to us weird folks that go around dressed as strange animals and have shouted "In come I" in some far flung places, and nice that has come up over a weekend that we have been out in the caps and bells. (synchronicity ..as Lesley would say)

Also remember Barry Skinner., Beverley of course and a bloke called Carl, an ardent Communist who used to speak in the Precinct on a Saturday. he was quite elderly and I might have got this wrong , but I think he may have fought in the Spanish Civil War.( and probably not with us anymore) He new a lot of Revolutionary songs  and his flat was overflowing with books you couldn't move. I am sure others will remember him, he rode a moped , and was one of the few people in those days to wear a crash helmet. On top of his he had a knight in armour made from a plastic kit, and holding a kids paper windmill. ( I do hope I wasn't imagining it)

I think it was him that gave me a book that introduced me to sea shanties, and encouraged me sing same. Embarrassed at the time but since very appreciative.

There were a lot of Communists in Cov in those days and they took their folk very seriously, it didn't surprise anyone when the Hen and Chicks started

When Dylan "sold out " they followed him around the country hurling abuse and calling him a "traitor to the proletariat" I think the Mag mentioned may have been. around the same time as the schism.. The Young Communist League was quite active at the time and had there own newsheet/paper  which I think was duplicated at the TWGU  offices. 

 Over the years I have noticed ( and discussed privately) just how many of the Early Folkie/YCL er's names crop up, often in the  realms of higher education, although by now all most probably retired.  Without mentioning any names,  I do hear  of or from many who frequented both the Oak and the Tavern, although I never went very often myself., but mainly the Hen and Chicks    (handy for Hartford Arms' cheap cider)  One, a very good floor singer is now in Thailand, another has recently returned from Australia.

According to another who has only recently left Cov, the Hen and Chicks was a good place for...( I de paraphrase)  for meeting persons of the opposite sex, who might have enough brain to talk to, as well, as being free of strange ideas about monogamous relationships.etc.

Is it still there. I remember the big golden carved sign that looked more like a duck!

I look forward to hearing about other issues and do a bit more name spotting. Its opened up yet another area of the long forgotten. Thanks.

DD 

Posted by: BroadgateGnome | 04/01/2007 at 10:51 PM

My memory's playing tricks on me. Apparently, the Binley Oak Folk Club cartoon wasn't by Dennis Carke (although he did some of the artwork for Folks Mag). Not sure whose it is - anyone recognise the style?

Posted by: Pete Willow | 04/15/2007 at 11:23 PM

Thanks Trev for tracking down the artist. Terry Sycamore - of course!!

Posted by: Pete Willow | 07/31/2007 at 03:33 PM

Desperately trying to locate Barry Skinner, can anyone help. Please

Posted by: Mary Shepherd | 02/20/2012 at 04:36 PM

The History of Coventry Folk Clubs part 3 - Pete Willow

Pete Willow

Continuing the article on the History of Coventry Folk Clubs in 1960's / 70's by Pete Willow, from in Coventry folk magazine - Folks - 1978 - 80, this Part 3 and focuses on the folk club scene of the early to mid 1970's.


By the early 70's, the folk revival had turned into a way of life for the many thousands of followers in the country, and it seemed that in Coventry a thriving folk club could be found in every other street corner pub.

We may have moaned about the cost of living then, but the fact was that many brilliant artists would come and do guest spots for a fee that didn't break the pockets of club organisers, who in turn were able to charge admissions that didn't break the pockets of audiences. And audiences were large. Ex-devotees of the mid 60's cultural revolution, fans of Dylan and Paxton, new enthusiasts of the renovated traditional cultures, contemporary music lovers hanging on every word of the many singer songwriters who were around, poets and philosophers a like, could now choose and visit many clubs to suit all tastes. The number of 'Singers' clubs and sessions, though high, were by today's standards overshadowed by the thousands of clubs in Britain, that could provide a name act almost every week, complete with host, floor singers and raffle in the interval.

It will be impossible to cover the early 70's in one article with any depth, so many omissions now should should hopefully be dealt with in issue 7. I started getting involved in the Coventry folk scene myself, late in 1973, so I'll be able to rely a little on my own precarious memory. However i am indebted  yet again to Dave Coburn for his invaluable help. (Dave was at this time more involved than ever in the running of key clubs in the city.), and also to somebody who, to my knowledge, contributed more than anyone towards the local folk scene and the bringing together of of artists at the excellent venues he organised -

John Drittler.

John, for those who are wondering, is alive and well and still occasionally pops his head round the door at the Pitts folk club. A brief run-down of his folk career will give an idea of the variety of clubs that existed in and around the city, for John organised or helped to organise, no less than seven folk clubs. Before any of those, however, he first got involved by becoming a regular singer at
Napton Folk Club
and he is featured on the limited edition (100 copies) LP Napton Folk, http://rateyourmusic.com/release/album/various_artists_f2/napton_folk_club/ on which he played the classic version of 900 Miles. Also on the record were Dave Bennett, to whom the sleeve notes attributes what must be 27 fingers, playing the Men of Harlech, Sean Cannon, singing Lark in the Clear Air, and Dainty Davy, Margaret Harvey, Dave Norton, and club host Tony Johnson (nick-named 'The Mouth') because of his ability to stun a rowdy audience with soundwaves when requesting them to keep quiet! The cover in fact features a cartoon of the same mouth with the entire club ensconced within!
http://www.popsike.com/NAPTON-FOLK-CLUB-VA-1971-EDEN-LP-PRIVATE-PRESSING-100-COPIES-ONLY/200715957831.html
SIDE ONE

EARLY MORNING RAIN - TONY (JOHNSON?)
MEN OF HARLECH (TRAD) - DAVE BENNETT
900 MILES (TRAD) - JOHN DRITTLER
LARK IN THE CLEAR AIR (TRAD) - SEAN CANNON
CIRCLE GAME - REG BIRKIN
SIDE TWO

THE FIRST TIME - TONY (JOHNSON?)
THE OLD MAN’S TALE - DAVE NORTON
QUEEN OF HEARTS - MARGARET HARVEY
DAINTY DAVY - SEAN CANNON
DARK AS A DUNGEON - REG BIRKIN

John, who styled himself after Malcolm Price and Doc Watson, became a popular figure in the local folk scene with his versions of Alberta, Goodnight Irene, It's Childing Cooking Time in Childing Country and many other unforgettable songs (except that in John's case when he occasionally fluffed the lyrics, and who could blame him). The first club he ran was at The Golden Cup in far Gosford street, which he started in the late sixties, although he was also involved in re-establishing it more recently (1979). From there he moved on to the Boatyard (Hand in Heart), almost across the road, where, like the Golden Cup, the evenings were usually local singers nights with occasional guests booked. Dave Coburn took over the running of this club in 1972 but in the meantime John had moved further afield to start a Thursday night club at the Newlands Hotel, Tile Hill Lane, "featured weekly a local singer or group in the guest spot", thus enabling us to hear an overall performance rather than the usual couple of songs" (Coventry Evening Telegraph).

By 1973, John, with neighbour Dave Bennett, had got another club going for a few months at the Rose and Woodbine in North Street, a venue to be used later by Dave Cooper. The following year, John first introduced folk to the local biking community by helping to start a club at the Antelope Motor Cycle Club near the Butts.

A feature on this club by the Evening Telegraph reporter, John Lake, ran "The Antelope Club, Coventry, exists primarily for motor bike enthusiasts. But members are rapidly becoming hooked on a secondary interest - folk music. "Their Wednesday folk nights were inaugurated several months ago by Dave Higgins and Alan Burnham...with the help of another member - John Drittler, a leading local figure in local folk circles, the weekly session has become a permanent fixture. John has proved invaluable both as co-compare with Dave Higgins and as a resident singer....

Sean Cannon, Dave Bennett, Malcolm Neal, Mick Stuart, Pete Rigg and Rod Felton are all regular performers and very often the organisers are faced with too many floor singers and too little time - a very healthy sign."

The article refers to guests booked at the club, including Diz Dizley, The Ian Campbell Folk Group, Barry Skinner, Andy and Janet and One Day Thomas. The club also featured the first local performance of 'Up and coming singer- guitarist" Chris Newman, now working with Fred Wedlock.

The Grange Folk Club (GEC Stoke)

In around 1974, John became one of the many hosts involved at the Grange, a club now sadly missed by many people, and probably at its peak of popularity at the tiem that John was running it. I shall go into the history of this club in greater detail next issue, for reasons that should be hopefully clear by then.

Simutaneously with the Grange, John started his seventh venue at the Golden Cross in the City centre, a club where I appeared on one occasion along with Folks cartoonist Den Clarke, in the days when we performed our 'piss take' routine and narrowly avoided a good lynching from the artists that featured in that set! Despite that, the club was highly successful and popular with many students from the Lanchester Polytechnic who, on more than one occasion, booked John to do a guest spot there. The Cross folk club was taken over eventually by the Other Rob Armstrong.

For a quick run down of what else was happening in the Coventry folk scene, the following list of clubs may bring back some interesting recollections from readers;

The Three Tons Folk Club - started in 1970 and was organised by Dave Coburn, Paul Burdon and Rod Felton, with assistance from Lol Pavey. This venue lasted two years and then Dave took over the running from John at the Boatyard., which featured local singers on Tuesday or Thursday nights and lasted another two years.

At the same pub on Fridays, but called the Owl Folk, was the club hosted by Clem McHale. This club tried to feature as many areas of folk music as possible and booked occasional guests.

Monday, still a popular night at the Village Pump, a long running club mentioned in the first part of this series, which featured dancing and was hosted by Magic Rantabout.

Dave Sampson

The Denbigh Arms folk club in Monks Kirby met on Saturday nights, hosted at first by the Gaels and later Dave Sampson, who then moved nearer to town when he started the Fletch folk club of Fletchamstead Highway. At the same time, Dave ran a Birmingham club at Roebuck in Erdington. In 1974 Dave had also started a club at the Pilot in Radford, where appeared, among others, Joe Brown of the Bruvvers fame. These were Dave's four main ventures, all of which were very successful and well attended clubs.

From Broadgate Gnome

As well as the Owl Folk Club and Napton, Friday was the night for the Kenilworth Folk club at the Virgin and Castle, predecessor to the present Sunday night club at the Burnt Post, hosted by John Macintosh, bassist for the resident band, Sneak's Noise. The Coventry folk Club met fortnightly on Fridays at the New Inn, long Lawford, and the residents were Silver Myter. in 1976 the Magic Lamp also opened on a Friday night at the Hope and Anchor, White Friars street, hosted by Bob Powell and Pete Willow, with the assistance on Nick Hill.

Another long running club was the Rocky Road folk club which met at the Bear Inn, High Street on Sundays and featured mainly Irish and Scots music. The resident singer, Billy Davoren.

The Bedworth Folk Club used to meet on Tuesday nights at the Woolpack Inn, hosted by Pete and Malc. The club now meets at the corner house, Bulkington on Thursdays.

Early pic of Down Country Boys

Another busy night was Wednesdays when you could visit one of many clubs including Folk Centre at the The Globe Hotel, Warwick, which had various residents, Bluegrass, held at that well known folk venue - the Bull's Head, Brinklow, hosted then by the Down Country Boys, Cedars Folk at the Cedars Hotel in Coundon, hosted by Pat Cooksey and Tom Collins and the Henley College Club hosted by Folklore, then at the New Inn, Longford although they have since moved to the new Phoenix in Broad Lane. Two more clubs that opened on Wednesdays in 1975 were the Grapes hosted by, among others, Julie Duckworth and Nellos, a popular venue for a club that stayed open until the wee small hours, organised by Dave Higgins, and featuring some superb guests.

Folklore

By the mid 70's clubs had opened also at the Climax, the Forty Thieves, Hertford Arms, Gosford Park Hotel, Navigation Inn, the Cheylesmore and a whole host of other places.

Many of these clubs were able to book guests and still survive, at least for a while. Apart from the many local acts who received bookings and return bookings, such as the Grunt Band, Mick Stuart, Sean Cannon, Pete and Sheila Rigg, all of whom are featured just as much in local clubs today, were often treated to appearances of Diz Dizney, Derek Brimstone, Ian Campbell, Gerry Lockran, Cliff Augier and the like, who sadly do not play in the area so frequently, as there are decidedly less clubs which could afford top run regular folk nights of that nature.

So to conclude, here is an appeal. If there is anybody who would like to risk his resources to open, say, a Friday or Saturday night club in the Centre of Coventry, booking such guests to appear, and if there is any pub landlord who would offer the venue, without charging the organiser for the privilege, there would be a lot of people, I'm sure, who would make a point of supporting that club, thus bringing back the spirit of folk that existed in the late 60's and early 70's.

Next issue, I hope to go into more detail of some of the clubs mentioned above. Any helpful information is most welcomed.

Good Times Are Coming - Martin Prue (Song)

From Folks magazine - Coventry c 1979

Folks - Covers of the Magazine

These are the covers of the Folks - the Coventry folk magazine edited by Pete Willow and co c 1978 - 80.

Adverts and graphics from Folks Magazine

Here are a selection of graphics and adverts etc from Pete Willow's Folks Magazine - Coventry 1978 - 80